Current Issue
Vol. 10 No. 1 — 2024

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Flash Fiction
We Gotta Get Out of This Place
   
by Gwynne Garfinkle

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Colleen Anderson
A.L. Blacklyn
T.D. Walker


Grandmother Magma
Eleanor Arnason’s
Daughter of the Bear King

   reviewed by Pat Murphy

Dust Lanes
Short fiction reviews
   by Karen Burnham

Book Reviews
The Rampant
by Julie Day
   reviewed by Arley Sorg

Meet Me in the Future
by Kameron Hurley
   reviewed by Laura A. Gilliam

The Future of Another Timeline
by Annalee Newitz
  reviewed by Misha Stone

Sisters of the Vast Black
by Lina Rather
  reviewed by Joanne Rixon

Featured Artist
Ruby Rae Jones

The Cascadia Subduction Zone

A decade into the 21st century, the world of books, the world of the arts, the world of criticism have all been caught up in violent, unpredictable change. A large part of this change has been unleashed by a continual stream of technological innovations that impact our daily lives and even our personal as well as professional relationships. Technology is changing how we read and what we read, is challenging the very forms and genres in which we write, and is making criticism and reflection more valuable and necessary than it's ever been.

Despite the many and continual changes reshaping the world of books and the arts, one factor remains constant: work by women writers is always assigned a marginal status in critical venues (except, of course, in venues that focus exclusively on work by women writers).

The CSZ aims to treat work by women as vital and central rather than marginal. What we see, what we talk about, and how we talk about it matters. Seeing, recognizing, and understanding is what makes the world we live in. And the world we live in is, itself, a sort of subduction zone writ large.

“If your takeaway…is that The Cascadia Subduction Zone sounds really interesting, you’re not wrong—it’s a wonderful journal filled with thoughtful and insightful criticism.”
    — Niall Harrison, The Guardian, May 12, 2016

Compost 1, Ruby Rae Jones